Treffen in Telgte

Das Treffen in Telgte
A musically-literary program

Helene Grass, Günter Grass – recitation
RIAS Kammerchor, Capella de la Torre (Katharina Bäuml)
conducted by Risto Joost

Catalog number: 21089

In his story “Das Treffen in Telgte” [“The meeting in Telgte”] Günter Grass has created a fable in which he describes the situation of literature from the point of view of a critical observer and commentator of the historical events. The story about an encounter between authors in 1647, which was initiated by the poet Simon Dach from Königsberg, takes place in a mill in Telgte, Westphalia, not far from Münster, where the Treaty ending the Thirty Year War was signed one year later.

After almost 30 years of war the plea for peace in the middle of the 17th century was the one which dominated all others. Whether in poetry or in music, it was omnipresent. (Bernhard Heß/ RIAS Kammerchor)
The author and his daughter, the actress Helene Grass, read from the story “Das Treffen in Telgte”. Poems and instrumental and vocal works by the 17th century poets and composers named in the text, such as Claudio Monteverdi, Heinrich Schütz, Michael Praetorius, Johann Crüger and Heinrich Albert, can also be heard.

“What we have heard today is a wonderful collaboration between words and music.” 
Günter Grass

A co-production of Deutschlandradio Kultur and Dreyer Gaido Musikproduktionen

 
Sherine

SHERINE
Ibrahim Keivo & NDR Bigband

Arranged and conducted by Wolf Kerschek
featuring Kinan Azmeh, Moslem Rahal, Rony Barrak
Live recorded and mixed by Walter Quintus 

Catalog number 21087

A Co-production with NDR

Ibrahim Keivo, What a musician! Mesmerized by his magic I hung on Ibrahim´s every note and could not turn away. He made us remember the reason why we all started playing music in the first place, and why we devoted a lot of time and eventually dedicated our whole lives to this calling. Wolf Kerschek

 
Markus Becker Kiev Chicago

MARKUS BECKER 
KIEV CHICAGO
PICTURES AT AN EXHIBITION &
JAZZ IMPROVISATIONS
Markus Becker: Piano

Catalog number: 21085

This is not a crossover album! Two musical worlds are juxtaposed to shed new lights upon one other: 'Kiev' stands for the Russian Romanticism of the late 19th century, 'Chicago' for the cosmos of Jazz. How do these two vastly different worlds relate? When I was considering the concept for this album I found two aspects of the relationship between these worlds very interesting: one ‘external’, such as the 'groove' in some of the 'Pictures at an Exhibition' or the somewhat jazzy harmonies in the Scriabin Préludes. I was especially interested in the ‘internal’ connections between 'Kiev' and 'Chicago': it is the compositional or improvisational freedom, colours, generosity, temperament, potential for surprise and sensuality, which is the bridge between both parts of the programme.